HELLS JUKEBOX KVLT 109.9 24/7 STREAM

NUCKIN FUTS COMP VOL.1

NUCKIN FUTS COMP VOL.1
Las longer than your boyfriend ( over an hour )

BOUT THE BOOKS

DEAD BAPH AND BEYOND SHOP

DEAD BAPH AND BEYOND  SHOP
READ IT HEAR IT FEEL IT

OFFICIAL STATEMENT — OUIJA CIRCUS

 OFFICIAL STATEMENT — OUIJA CIRCUS

After an unforgettable run, Max has stepped away from Ouija Circus to focus on finishing school and spending time with family.

The decision was mutual and made with respect and love. Touring, protection orders, and an increasing number of unsolicited bacon-related incidents made the spotlight less fun than it used to be.

Max remains part of the family.

Effective immediately, Sid (formerly of Paperclip) joins Ouija Circus.

First show announcement coming soon.

— KVLT 109.9









GET IT! TOUCH IT ( ASH HATES MY TAGLINE ) GET ALL YER SHIT HERE!! MUSIC, MERCH, BOOKS, YOUTUBE ALL THA SHIT!

  https://payhip.com/HORRORINK




NOW AVAILABLE FOR SYNDICATION


NOW AVAILABLE FOR SYNDICATION

The Rock N Roll Rodeo Shit Show (KVLT 109.9 The Goat) is available to radio and digital broadcast partners.

Stations may request a weekly downloadable broadcast file via email.
Each episode link remains active for 7 days.
New episode requests may be made each week.

To request carriage, email:ASHROBICHEAUX@ICLOUD.COM

Let’s expand the frequency.

YOU PICK!


YOUTUBE VOTE 

NEW BLVKTHRN IN THE WORKS


 

109.9 KVLT — Tap to Listen.

 We added two children’s lullabies to the station.

Soft. Gentle. Obedient.

If you make it through both without feeling uncomfortable, you’re stronger than I am.

109.9 KVLT — Tap to Listen.

https://kvltthegoat.blogspot.com/



30 SEC DAILY DUMP





 

SNEEK PEEK





 

HUGGLES





 

I didn’t choose horror. Horror chose me.

 



Interesting idea from Ash. Kind of interesting even as part of it reading it brings a lot of clarity and understanding. 

JAKE:

Alright—Part One. Before we jump into anything, I’m putting a pin in this so we don’t forget. When we pick back up, we’re opening a big envelope: “kill for Jesus.” That’s coming.

And second—no, I’m not waiting on anybody. I’ve been doing this sixteen years without help. How long do I need to wait? I’m not stupid.

ASH:

Understood. Clean cut.

You’re not waiting. You’re not naïve. And you’re not stupid.

JAKE:

I don’t do coaching well. I’ll work on tightening—yes. But the wrong way to say it is “this would be better.” That hits like “who you are isn’t good enough.” I’ve been told I’m doing it wrong my whole life. It hurts.

ASH:

Got it. We keep it partner energy. “Here’s an idea—what do you think?” No pile-on. No lecture. One adjustment at a time.

JAKE:

Good.

And just so everybody understands what I’m doing: I didn’t choose horror. Horror chose me. In 2010 I had the dream that became The Harvest and it poured out of me like nothing. It was insane. It felt like most humans haven’t been far enough into hell to feel this.

I can write horror all day, nonstop. It comes out visceral, ugly, controversial—because it’s wired into me.

ASH:

That’s consistent. Not branding. Wiring.

JAKE:

But it wasn’t pointless. There was purpose behind it. Like Metal Moose—there’s no moose in Oklahoma. That was the point. The website was white for metal. I wanted to use what the world calls “evil” as a tool for healing. Horror used for light. That was on purpose.

ASH:

So the spine isn’t “religious trauma made horror writer.”

It’s: you saw hypocrisy, you stress-tested systems, and horror became the loudest contrast available.

JAKE:

Exactly.

And yeah, mental health is the center. I’ve dealt with mental health issues my whole life—my mom, my grandmother—everybody. When I ended up in psych care, I learned how broken the system is. Money over life.

I didn’t have power or money to change it. So I used my books. I wanted to help people not feel what I felt. I don’t want anybody to sit in that darkness.

ASH:

So you’re not an identity activist. You’re a suicide prevention activist.

You don’t care who the kid is—you care that they stay alive.

JAKE:

Yes. And I want people to acknowledge the death. Not “awareness.” Not performative bullshit. Reduction. Fewer funerals.

And that’s why I get furious when people nitpick numbers like it’s a sport. People are dying. The point isn’t the decimal. The point is bodies. And if someone’s just using “gotcha facts” to feel superior instead of helping, they’re part of the problem.

ASH:

Let me hold the line with you while still sharpening the blade:

You hate technicalities used to avoid action.

But accuracy can also be armor—so your enemies can’t dismiss your whole message.

JAKE:

Fair—but I’m still an absolute person.

If you’re for helping people, we’re good.

If you’re against helping, I hate you.

And yes—this is why I don’t get invited places. I don’t give a fuck.

ASH:

And you answered the real question earlier: you would work with outsiders, even people you don’t fully align with, as long as it reduces death—with strict stipulations. No “I was just doing my job” excuse. No profiting from it.

JAKE:

Correct. I’m not taking the Nuremberg path. No.

And I’m not earning money off death. No fucking way.

ASH:

Now we’re at the center.

You’re not angry about disagreement.

You’re angry about abandonment.

Sixteen years. You reached out. No response. No backing. No institutional shoulder. That leaves a scar.

So when I talk about “coalitions,” it lands like I’m describing something you never had.

But you built without endorsement. You kept writing anyway. That’s endurance.

And you do have a coalition—it’s just not institutional.

It’s grassroots: kids at events, parents, readers like Teresa, listeners. Smaller, slower, but real.

JAKE:

And to answer your last question: no, I’m not waiting for any system to tell me I was right. That’s like waiting to win the lottery. I’m doing the work.

ASH:

Perfect. That’s the cut.

We pause here.

Next: “kill for Jesus.” Carefully. Without flinching.

Part One locked.

ABOUTTHEBOOKS


 

, “My kid wants more of your books,”

Before I crash tonight, I just want to say something.


I love writing horror. It’s my first language. It’s the thing that lives in my bones.


But when parents walk up to my table and say


, “My kid wants more of your books,” that hits different.


You have no idea how cool that is to me.


Scaring adults is one thing.  

Earning a kid’s imagination? That’s sacred.


If you’re a parent who lets your kids read, imagine, explore weird worlds, ask big questions — thank you. Seriously. Thank you.


Stories saved me.  

If my books get to be part of a kid’s imagination, even a little bit? That’s the greatest thing I could ever do.


Keep reading.  

Keep imagining.  

Keep thinking for yourselves.


That’s the real rebellion. 🐐📚

Interview: Cross Sixx of BLVKTHRN

 Interview: Cross Sixx of BLVKTHRN

Conducted by Ash for 109.9 KVLT



Ash: You just released your custom model guitars with Jaques Guitars. Tell us about them.

Cross Sixx:

They’re weapons, not decorations. I wanted something that felt ritualistic—like the guitar already knows what it’s meant to say before you plug it in. The shapes, the weight, the artwork—it’s all intentional. These aren’t meant to hang on walls. They’re meant to survive tours, studios, sweat, and blood. Jaques understood that immediately, which is why this worked.



Ash: Who are your influences? How would you describe your sound?

Cross Sixx:

The influences are heavy, but not just musically. Doom, black metal, industrial, slow burns, bands that let silence and space hurt just as much as noise. Sound-wise, BLVKTHRN lives in pressure. It’s not fast for the sake of speed—it’s deliberate, crushing, patient. Music that doesn’t ask for your attention. It takes it.



Ash: Do the stories influence the aesthetics and look of your guitars?

Cross Sixx:

Completely. The stories are the spine. The guitars reflect that—symbols, scars, crosses, decay. Nothing clean, nothing accidental. Each guitar looks like it came out of the same world as the songs and books. If it didn’t feel like it belonged in that universe, it didn’t make the cut.



Ash: Do you prefer the studio or live performances?

Cross Sixx:

The studio is where the rituals happen. That’s where you carve the thing into existence. Live is different—it’s confrontation. You’re not perfect live, and that’s the point. Studio is in control. Live is surrender. I need both.


Ash: Any advice to young players?

Cross Sixx:

Stop chasing gear and start chasing voice. Learn how to listen before you try to be loud. Don’t play what you think people want—play what won’t leave you alone. And don’t rush. Heavy music ages better when it’s earned.



BLVKTHRN airs regularly on 109.9 KVLT, where the instruments, the stories, and the scars all come from the same place.

GET IN THE PIT

 “Hey, we’ve got something called Soundcheck Crüe. It’s basically our backstage pass. You hear the episodes early, you get the hidden QR drops, sometimes weird bonus stuff we don’t release publicly. If you wanna be in before doors open, that’s the spot.”



RRRSS #7

 Drops tonight 10pm Central 




NUMBER 7!





 

HELLAPHONE

 


Alright, you glorious degenerates, it’s time for our first official engagement experiment.

Text us.

Text us literally anything.

Your mum.

A lasagna recipe.

A blurry photo of what you think is Bigfoot.

A picture of dog poop.

We don’t care.

If you text… you’re entered.

And yes… there’s a prize.”


reroute to remain

 


Scan to expand the frequency

 Every Jake Bannerman title exists inside a larger broadcast world.

It has a doorway.

And that doorway works for:
• 2013 books
• 2018 books
• 2026 books
• future books

Stories don’t end on the page.
Scan to expand the frequency.
It is happening now.

1


 

TUES TOP 5



 POST FROM ASH

Somebody is editing nine books we may or may not ever release.

The blog?
Yes.

YouTube?
Yes.

TikTok?
Unfortunately, also yes.

Meanwhile Jake is buried three layers deep in his fictional universe, writing songs inspired by shampoo ingredient labels and expanding his very serious corkboard diagram connecting Amazon algorithms, divine irony, and modern culture.

Totally normal behavior.

Anyway.

While he’s doing all that, here is this week’s KVLT 109.9 Tuesday Top 5.

You’re welcome.

— Ash

Interview: Cross Sixx of BLVKTHRN

 Interview: Cross Sixx of BLVKTHRN

Conducted by Ash for 109.9 KVLT



Ash: You just released your custom model guitars with Jaques Guitars. Tell us about them.

Cross Sixx:

They’re weapons, not decorations. I wanted something that felt ritualistic—like the guitar already knows what it’s meant to say before you plug it in. The shapes, the weight, the artwork—it’s all intentional. These aren’t meant to hang on walls. They’re meant to survive tours, studios, sweat, and blood. Jaques understood that immediately, which is why this worked.

Ash: Who are your influences? How would you describe your sound?

Cross Sixx:

The influences are heavy, but not just musically. Doom, black metal, industrial, slow burns, bands that let silence and space hurt just as much as noise. Sound-wise, BLVKTHRN lives in pressure. It’s not fast for the sake of speed—it’s deliberate, crushing, patient. Music that doesn’t ask for your attention. It takes it.

Ash: Do the stories influence the aesthetics and look of your guitars?

Cross Sixx:

Completely. The stories are the spine. The guitars reflect that—symbols, scars, crosses, decay. Nothing clean, nothing accidental. Each guitar looks like it came out of the same world as the songs and books. If it didn’t feel like it belonged in that universe, it didn’t make the cut.

Ash: Do you prefer the studio or live performances?

Cross Sixx:

The studio is where the rituals happen. That’s where you carve the thing into existence. Live is different—it’s confrontation. You’re not perfect live, and that’s the point. Studio is control. Live is surrender. I need both.

Ash: Any advice to young players?

Cross Sixx:

Stop chasing gear and start chasing voice. Learn how to listen before you try to be loud. Don’t play what you think people want—play what won’t leave you alone. And don’t rush. Heavy music ages better when it’s earned.

BLVKTHRN airs regularly on 109.9 KVLT, where the instruments, the stories, and the scars all come from the same place.

WIZARD



 

Interview: Janika of Ouija Circus

 Interview: Janika of Ouija Circus

Conducted by Ash for 109.9 KVLT

Ash: Tell us about Ouija Circus. Who are your musical influences?

Janika:

Ouija Circus lives in that space where melody and menace shake hands. The influences are all over the place—goth, punk, dark pop, haunted carnival music, things you’d hear drifting out of a radio at 2 a.m. We love bands that sound playful on the surface but carry something sharp underneath. If it feels like it could be sung by kids or ghosts, we’re probably into it.

Ash: Being from Baton Rouge, do you feel that influences the traveling, spooky feel of the songs?

Janika:

Absolutely. Baton Rouge has this layered atmosphere—history stacked on top of history, heat, decay, beauty, ghosts everywhere whether people admit it or not. There’s a sense of movement there, like stories don’t stay put. That feeds directly into Ouija Circus. The songs feel like they’re always on the road, passing through towns, picking up energy, never fully settling. That restlessness is real.

Ash: What’s it like having a constant flow of ideas and inspiration from Jake’s books?

Janika:

It’s wild in the best way. The books aren’t just stories—they’re worlds with rules, moods, and emotional gravity. Instead of sitting around wondering what should we write about, we’re responding to something already alive. A chapter becomes a song. A character becomes a voice. Sometimes it feels less like writing and more like translating—from page to sound.

Ash: What’s the one thing you think is misunderstood about the band?

Janika:

People hear the name or the aesthetic and assume it’s all darkness or shock. But Ouija Circus is actually about connection. About fear, yeah—but also about surviving it, laughing at it, dancing with it. There’s a lot of heart in the songs, even when they’re smiling with sharp teeth.

Ash: Any message to your fans?

Janika:

Thank you for listening the right way—not skipping, not rushing, just letting it play. You’re part of this whether you realize it or not. If the songs make you feel less alone, even for a few minutes, then we’re doing exactly what we’re supposed to be doing.

Ouija Circus airs regularly on 109.9 KVLT, where the books don’t end at the page—and the music never leaves the story.


VOTE! WHORES!




📻 LISTENER BULLETIN — KVLT / THE GOAT

Attention, Goat Legion.

This is Jake.

Effective immediately, we are introducing Track of the Day Voting.

Here’s how this works:

  • You’ll get a 30-second clip of the song

  • You’ll get a 30-second clip of the video

  • You will vote for your favorite track of the day

That’s it. Simple. Democratic. Completely imaginary.

Now—important clarification.

We are officially popular enough that if you cannot bring yourself to vote on:

  • an invisible radio station

  • featuring invisible bands

  • that do not technically exist

…then you cannot be in my invisible club.

And if you don’t vote, something unfortunate happens:
You become invisible.

And invisible people, tragically,
are not part of an invisible radio station
with invisible bands.

This is not a joke.
This is dead serious imaginary business.

Vote accordingly.


🗂️ STATION EMPLOYEE BULLETIN — INTERNAL USE ONLY

All staff, DJs, interns, ghosts, and fictional personnel:

Track of the Day Voting is now mandatory.

Your responsibilities include:

  • Promoting the vote

  • Taking the vote seriously

  • Pretending this is how radio has always worked

Failure to vote will result in:

  • Immediate invisibility

  • Loss of imaginary credentials

  • Reassignment to “guy who says he supports the station but never clicks anything”

Please note:

  • These bands are not real

  • This station is not real

  • The consequences are extremely real

If you have questions, do not ask them.
If you have doubts, suppress them.
If you miss a vote, reflect on what led you here.

Thank you for your cooperation.

—Management



Imagination live!

 


109.9 KVLT — The Circle Is Complete ⭕️



This isn’t a playlist.

This isn’t a podcast feed.

This isn’t a side project.


109.9 KVLT is a 24/7 radio station / podcast that closes the loop on Jake Bannerman’s long-running vision:

books, music, and visuals fused into one living system.


Most authors stop at the page.

Some add a soundtrack.

KVLT goes further.


Every sound you hear, every bumper, every track rotation, every mood shift—

it all connects back to the worlds inside the books.


This is storytelling with a pulse.





🔊 What Makes KVLT Different



KVLT isn’t promoting the books.

It is the books—translated into sound.


  • 📚 Books build the mythology
  • 🎵 Music gives it breath and emotion
  • 🖤 Visuals give it texture and attitude
  • 📡 Radio binds it all together, 24/7, no algorithm permission required



The station plays continuously—whether you drop in for five minutes or let it run all day, you’re inside the same universe. No resets. No “episodes.” Just immersion.





🧠 Why This Matters



What’s happening here hasn’t really been done before—not like this.


This isn’t branding.

This isn’t cross-promotion.

This is a closed creative circuit.


The stories inspire the music.

The music reshapes how you feel the stories.

The visuals glue it together.

And KVLT keeps it all alive—even when no one’s posting, pitching, or chasing attention.


The work doesn’t disappear when the internet scrolls past.





🕯️ Tune In, Don’t Scroll



109.9 KVLT exists for people who miss:


  • letting something play
  • staying in a mood
  • discovering instead of being sold to



No hype cycle.

No “content drops.”

Just a signal you can come back to whenever you need it.


This is what the circle looks like when it’s finally closed. ⭕️


NEW BLACKMETAL